Seven Quick Takes Monday On This Weekend

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1) There was a slight delay on my Buffy Countdown due to me coming down with what could either be a sinus infection or the flu. Either way, I was resigned to my room since Friday. I couldn’t update my Buffy countdown until now was because the topic of the episode dealt with death. I’m approaching the death anniversary of a dear friend this week. Grief and loss are not something you want to think about when you’re sick. If all goes well, I’ll be writing more about dealing with grief and loss on the 24th.

2) I learned that you can make yourself sick. While I tend to get sick during the change of seasons, the last time I remember being this sick was when I was under a lot of stress. Before I got sick, I was trying to deal with the disappointment of not going to Dallas Comic Con. I might have some more disappointments in the future. But I can’t dwell on disappointments and let them get to me. Sometimes life doesn’t go the way that you plan and you just gotta learn how to cope with it.

3) The Rosary was a powerful medicine that helped me calm down when I was sweating at night. I started cooling down as I was meditating on each decade. Never underestimate the power of prayer. When I prayed the Rosary, I visualized myself inside the chapel I spent a lot of time in during my college years. I remember seeing Mary floating over the monstrance, smiling at me. It was a peaceful, wonderful experience.

4) One bright side to this weekend was that I got a lot of movies from the library before I got sick, which means I can watch movies all day. I also had Netflix and YouTube for when I was put on bedrest. One downside to being sick is that I seriously miss my friends. I can’t even talk to my online friends that often because I have to constantly sleep. Some of my friends are sick, too. It’s that time of year, I guess.

5) I watched the three-part “Girl Meets Texas” and feel like the drama bomb has finally hit the show. To my surprise, the last episode had a lot of quick scenes and didn’t exactly give the audience any answers as to what’s gonna happen with everyone. But then again, we’re not done with the season yet. I know that Tumblr is jumping really hard on the “Lucaya” ship. The two characters have amazing chemistry. But if there’s anything I learned from the Captain Swan ship of Once Upon a Time, a good OTP can’t just rely on chemistry alone. And no, I do not ship Captain Swan. I don’t really invest in any ships on Girl Meets World, either. I just want everyone to be happy.

6) I’m starting to hear about how people are asking Saints Louis and Zelie Martin to intercede in their dating life. I’m so happy that the Catholic Church canonized a married couple for the first time. And since I have such a devotion to St. Therese, I have no doubt that Sts. Louis and Zelie will start interceding in my life as well.

7) One practice a lot of single ladies like to do is pray for and write letters to their future husband. When I decided to pick up that practice again, I found myself wondering if such a person could exist. It’s bizzare, but I can more easily believe in the existence of God than in the existence of a human being that I haven’t met yet. And when I think of the person my future husband could be, my mind just went to the worst case scenarios. I’ve been hurt and disappointed in love so many times, it’s just hard for me to believe that there’s someone out there who can love me with all my complexities, fandoms, and obsessions. 

It’s times like this that I have to remind myself of a Bible verse that’s been on my tablet and hanging on my mirror: Jeremiah 29:11. “For surely I know the plans I have for you, says the Lord, plans for your welfare and not for harm, to give you a future with hope.” God has already created my heart. And ultimately, my life is in His hands. Women may lament that “all the good ones are married” and I’ll admit, I have to wonder if I’m worthy of a husband. Then again, are any of us worthy of receiving grace? Of receiving God’s unconditional love? NOPE! Good spouses don’t come into our lives just because we want them or we feel like we deserve them. They come into our lives because God planned it that way.

As of right now, I believe that my future husband is out there. I also know that I’m not ready to meet him yet. If you feel like me, take this advice: spend this time preparing yourself. Take time to love yourself first. Your life won’t be instantly perfect when you get married. Check out this article from Verily Magazine if you don’t believe me.

Pray that I get well, y’all.

Hush: Top 10 Buffy Episodes #6

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Hush is a unique episode in the Buffy lineup. It’s the only episode that was nominated for an Emmy and it feels like a mix of a silent movie and a Doctor Who episode. The episode is written and directed by Joss Whedon and it shows his range as both. Joss Whedon is known for his memorable dialogue and wit, so an episode where the characters are silent for most of the time is seriously different from that.

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The episode starts out with Buffy in psychology class. Professor Maggie Walsh is lecturing on communication and language. She calls Buffy down to the front and tells her to lie down on the desk. She calls her TA, Captain Cardboard  Riley Finn to help her with the demonstration. The two of them share a kiss as the sun goes down. Apologies  in advance to Marc Blucas, by the way. Out of all the love interests in this show, Riley is one I particularly dislike. Anyway, the sun goes down and Buffy hears a girl humming from the hallway.

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I have to wonder if Steven Moffat ever watched Buffy because this scene feels very much like the creepy scenes in the scarier Doctor Who episodes, with a little girl singing a creepy nursery rhyme about something called “The Gentlemen.” We get a quick glimpse of the Gentlemen only for Buffy to wake up in class.

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Turns out that Buffy fell asleep in class and the whole previous scene was just a dream. Willow heads off to Wicca group and watches Buffy and Riley make conversation. Yes, she ships it. I don’t. Buffy and Riley’s conversation is majorly awkward even with Buffy wanting to kiss him and Buffy leaves, miffed that she didn’t get the guts to tell Riley about her feelings.

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Buffy calls Giles about the dream that she had, since Slayers like her often have precognitive dreams. Spike, who is staying in Giles’s house, acts like your typical sitcom annoying neighbor, complaining that they’re out of Weetabix. Xander and Anya come around in the middle of having a “where do we stand in this relationship” argument. Anya doesn’t exactly have a filter on her mouth, which leads to the argument being a source of humor for Spike. Giles tells Xander and Anya that he needs Spike to stay with them since he’s having a friend over, much to everyone else’s chagrin.

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Willow attends a Wicca group meeting that is about as authentic as, well, a really bad youth group meeting. (No offense to actual youth groups.) Willow wants to study magic, catching the attention of a shy blonde named Tara.

 

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Every other girl in the group, however, is dismissive of Willow’s suggestion. Willow complains to Buffy about how they’re all a” bunch of wannablessedbes.”  They walk back to their dorm, where Willow eggs Buffy to get to the making smoochies with Riley already. Buffy wants to open up about her secret life as the Slayer, but can’t. Riley, of course, has his own secret life as a soldier of the Initiative.

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Xander ties Spike up inside his basement and no, in spite of the dialogue there won’t be any bromance between the two of them. Although memories of Nicholas Brendon admitting to having a crush on Spike still makes me giggle, especially with this scene. Spike mocks Anya’s voice to keep annoying Xander while Giles greets his girlfriend Olivia.

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Over in a clock tower, a creepy white hand opens a box. All over town, voices escape from people’s bodies, flying inside the little box. The creepy hand closes the box to reveal an equally creepy face that reminds me of the Smilers from Doctor Who.

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The next morning, Buffy gets ready and hears someone crying as they walk down the hallway. Willow wakes up and Buffy greets her, only for both of them to realize that they have no voices. Willow thinks she’s gone deaf, but both of them realize that they just don’t have voices. Xander wakes up with no voice and thinks it’s all Spike’s fault. He calls Buffy and Willow, but since neither of them can talk, it’s a major problem. Riley and his friend Forrest head on over to the Initiative and panic when the elevator stops working. They make it down to the base to find Maggie Walsh, who points to the “In Case of Emergency, use stairs” sign. Keep in mind, btw, that this episode takes place before the invention of social media and text messaging. So it’s not like these guys can just Tweet each other.

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Buffy and Willow walk around town to find Sunnydale in complete chaos. The liquor store is open but other places are closed. There’s a priest telling his flock to open their Bibles to Revelation 15:1 “Then I saw another portent in heaven, great and amazing: seven angels with seven plagues, which are the last, for with them the wrath of God is ended.” This verse is relevant because, if you remember the rhyme, the Gentlemen need to take seven somethings. 

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Buffy and Willow buy a couple of white boards and head over to Giles’s apartment. In spite of the fact that there’s no dialogue, the key relationships between everyone are clear to see. Buffy checks to see if Giles found anything in his research, but there isn’t anything. Willow writes “Hi Giles” in her sweet adorable little way. Buffy thinks that the Gentlemen may have something to do with everyone being silent. Xander draws everyone’s attention to the news and it turns out that Sunnydale is the only place affected, with the town put under quarantine. Buffy tells Giles to keep researching while she goes on patrol. Maggie Walsh tells her soldiers via text-talk to make sure that the town doesn’t descend into chaos. Buffy finds Riley out on the town and hugs him. Then Riley kisses Buffy as he goes to take care of someone breaking into a store.

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It’s at this point that the Gentlemen finally come out in all their Slender Man/Smilers/Silence-type creepiness. They float around town with their minions looking for…well, something. Olivia sees one of the Gentlemen through a window and gasps. Two Gentlemen float down to the dorms of UC Sunnydale and you’d think they’d go after Buffy and Willow or even Tara, but instead they go into the dorm room of a random college student, knocking on his door. Once inside, they literally steal the poor guy’s heart, ripping it straight out of his chest with the help of some surgical tools. Thankfully we don’t actually see the heart-ripping thing. When we return to the clock tower, we see that the Gentlemen already have three hearts.

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The next day, Buffy goes to the dorm room of the student whose heart got ripped out while Olivia, in Giles’s apartment, draws a picture of the Gentlemen, prompting Giles to grab a book of Fairy Tales.

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The scene in the classroom, with Giles on the projector, is one of my fave scenes in this episode. Giles plays “Danse Macabre” on a stereo as he tells everyone what the Gentlemen are. Willow knows that the Gentlemen are after hearts, pointing to her chest, but Xander thinks of boobs instead. Giles explains via slides and crude drawings that the Gentlemen come into a town, steal everyone’s voices, and rip the hearts out of seven people. Everyone is grossed out over Giles’s drawing of a Gentlemen killing a human and ripping out his heart except for Anya, since she used to be a vengeance demon. She eats popcorn, sitting a few rows away from everyone else. Xander asks “How do we kill them?”

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Buffy makes a motion with her hand that we know looks like staking but the way she’s pumping her hand makes everyone else think of something else until Buffy takes out her stake. Giles says in another slide that the Gentlemen can’t be killed by any weapons, just a human screaming. Willow thinks they can use a CD of screams, but only a real human voice is capable of killing them. So Buffy asks “How do I get my voice back?” Giles’s next slide says “Buffy will patrol tonight” with another crude drawing. Buffy scoffs at how big her hips look in the drawing. Over in the Initiative Base, Riley and Forrest prepare for their own patrol.

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Out on the town, nobody’s around except for Buffy and Riley. Inside a dorm room, a list of phone numbers lies on top of a page that says “Spells of Speech and Silence.” Willow’s number is highlighted. Tara is shown leaving her dorm room, probably heading to Willow since she has Willow’s dorm room number written on a Post-it. As she leaves her room, you can’t help but think “Uh oh,” especially when the Gentlemen find her as she walks around the UC Sunnydale campus. Tara starts pounding on doors in Stevenson Hall, looking for Willow as the Gentlemen follow her. Tara starts pounding on one door and the editing tricks you into thinking she’s pounding on Willow’s door until the door opens revealing a Gentleman with a heart in his hand. Willow steps out of her dorm, literally crashes into Tara, and the two of them run away from the Gentlemen.

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Meanwhile, Buffy fights off the Gentlemen’s minions and Riley inspects the clock tower. He fights off a couple of minions and Buffy crashes in with the minions she was fighting. The two of them have a stand-off with their weapons, but decide to keep fighting the minions first.

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Over in Giles’s apartment, Spike sips some blood out of a mug, going into vamp face, and goes into the living room, where Anya is resting on the couch. Xander walks in and finds the vamp-faced Spike looking like he bit Anya and drained her. He starts beating Spike up to a pulp, which wakes Anya up. Anya breaks up the fight and Xander kisses her as romantic music swells. Then Xander and Anya decide to go off to get a room.

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Willow and Tara make their way down into the laundry room and try to push a soda machine over to the door to no avail. The Gentlemen are pounding at the door. Willow tries to make the soda machine move, but it’s not working. Then Tara holds Willow’s hand and the two witches combine their magic to move the soda machine and succeed. Tara doesn’t let go of Willow’s hand, however, which hints at the relationship the two of them will later have.

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Back in the clock tower, Buffy follows a minion up the stairs to the Gentleman’s base. She gets captured by the minions and the Gentlemen move towards her, only for Riley to taze them. Buffy and Riley fight off the minions and one of the Gentleman cuts her. A minion gets Buffy in a chokehold as she recognizes the box on the table as the box from her dream. She motions to Riley to break the box, but he doesn’t get it right the first time. When Riley actually gets it right, Buffy gets her voice back and unleashes a loud, piercing scream, causing the Gentlemen and their minions to die via head-explosion.

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The next day, Willow and Tara make conversation about being real witches and magic. It’s clear from this scene that Tara is seriously attracted to Willow and that Willow is picking up on Tara’s interest. Giles and Olivia have a small moment, but given that Olivia doesn’t appear again until the comics, she’s not gonna stick around after this episode. The episode ends with Riley entering Buffy’s dorm, telling her that they should have a talk. Instead, the two sit across from each other in awkward silence.

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I seriously love this episode, Captain Cardboard aside. It’s suspenseful and scary without actually being gory. You never see the Gentleman’s victims, just Giles’s crude drawings. I also love the way that everyone plays off of each other. It takes a lot of chemistry and good acting to convey how everyone relates to each other without having any dialogue whatsoever.

If you’re a fan of Doctor Who and have never seen Buffy, check out this episode. I also recommend this episode to those who want to see Joss Whedon do silent film. (Until he does an actual silent film, that is.)

Hamilton The Musical: An Album Review

 

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I’m a sucker for American History, especially the Revolution. But I like stories that keep the drama to a realistic perspective. I don’t like Turn because there isn’t as much history as there is drama. I liked Sons of Liberty in spite of the inaccuracies of the love triangle between Joseph Warren, Margaret, and General Gage. On paper, Hamilton shouldn’t work. But it does. It’s jam-packed with 46 musical numbers that establish who everyone is and moves the plot along. It’s basically a hip-hopera that succeeds in a way that previous attempts at hip-hop/opera didn’t. Because the musical has about 46 or so musical numbers that basically flow into each other, I’m not gonna do a track by track review, but talk about the story the songs tell me.

I’ll be honest when I say that I honestly didn’t know much about Alexander Hamilton going into this musical. He’s most famous for being involved in the American Revolution, writing most of the Federalist papers, creating the current system of treasury, and dying in a duel. But this musical doesn’t just bring Hamilton to life, but all of his contemporaries as well. It’s best seen in the opening number “Alexander Hamilton.” It acts as the “prologue” of the story and it’s already amazing that Hamilton was able to get out of the Caribbean with nothing but the money people raised to get him out and his writing skills.

What’s most interesting is that even though Aaron Burr is an antagonist, he’s not exactly a villain. He’s shown his sympathetic moments in the second number “Aaron Burr, Sir.” He reminds me of politicians who aim to please without really standing for anything. And yet, he still has love for his daughter Theodosia and has his own ambitions. (Note: Theodosia was originally illegitimate but Leah Libresco told me that Burr ended up marrying Theodosia’s mom after her first husband died.)

Act II introduces Jefferson and Madison, who are also antagonistic figures due to being Hamilton’s political rivals, but the awesome Cabinet Battle numbers show that Jefferson’s desires have some basis in logic. However, reality is more complicated than Jefferson’s ideas. Jefferson, Madison, and Burr have a villain song in “The Room Where it Happens” and “Washington on Your Side,” which shows their jealousy for Hamilton. Both Jefferson and Madison end up paying their respects for Hamilton in the closing number because Hamilton’s financial system turned out to be a good thing in the long run. And Burr realizes the cost of letting his jealousy go too far in “The World Was Wide Enough.” You feel really sorry for Burr at the end.

You could  could argue from “You’ll Be Back,” “What Comes Next,” and “I Know Him” that King George III is the villain in this musical, but he never interacts with Hamilton. He’s just there to be America’s clingy ex-boyfriend, the comic relief in this intense, dramatic musical. Props to Jonathan Groff, btw, because I honestly didn’t recognize his voice when I listened to his tracks.

Hamilton could’ve easily been “Mister Perfect” in this musical, but his flaws are seen in this show as much as all the other characters. He’s definitely extraordinary, brilliant, and innovative, but he’s also shown to be arrogant and short-sighted at times. His short-sightedness shows in “Say No to This” especially and in Hamilton’s decision to publish the Reynolds pamphlet. Hamilton’s dreams of rising up seem to be going down in flames because marital fidelity is still something we value. The whole incident feels Clinton-esque and I want to slap Hamilton upside the head for falling for such a cheap trick and not thinking things through.

The musical also develops historical figures I never knew before, namely the Schuyler sisters. (Pronounced “skylar”) The Schuyler Sisters are forward-thinking intelligent women, especially Angelica who’s looking for a mind at work. Angelica is gunning for feminism two centuries before the first wave feminist movement and yet I find it believable because intellectual revolutions come around in times of war.

“Helpless” and “Satisfied” fully establish the characters of Eliza and Angelica Schuyler. Eliza is more of a hopeless romantic, wanting a quiet, domestic life (as seen in “That Would Be Enough”) while Angelica needs to marry rich and wants to marry someone who could match wits with her. They’re also both in love with Hamilton. Once you realize how similar “Helpless” sounds to “Countdown” by Beyonce, you can never un-hear the similarities. Eliza, being Hamilton’s wife, gets major character development as she deals with Hamilton’s ambitions and mistakes. “Burn” is a tear-jerking number because she’s not gonna stand by her man, and yet “It’s Quiet Uptown” is also tear-jerking because of the way Eliza and Hamilton reconcile. It takes a death to bring them together. It takes Hamilton dying for Eliza to finally stand by her man.

I also learned more of Hamilton’s comrades in arms, John Laurens and the Marquis de Laffayette. Given my bias towards all things French, I have a soft spot for the Marquis in all his over-the-top bravado. Mulligan is the rough-and-tumble Irishman who ends up becoming more of a minor character compared to everyone else.

The musical makes John Adams the butt of the joke in a couple of numbers such as “I Know Him” and “The Adams Administration”. It’s surprising that Adams isn’t even in the musical at all, but the cast is already large enough with a ton of musical numbers. But it’s a good thing John Adams has his own musical anyway. To quote said musical:

“Consider yourselves fortunate that you have John Adams to abuse, for no sane man would tolerate it!”

And while we’re on the subject of running gags, please leave New Jersey alone. That joke is getting old.

For me, though, the most intriguing character is George Washington. George Washington would usually be the star of a musical, but in this play he plays the role of Hamilton’s mentor. Washington is the main reason Hamilton gets so far up the social ladder, and yet he and Hamilton don’t always agree. It was sweet when I heard Washington refer to Hamilton as “son” because Hamilton never had a father and Washington had no children with Martha. Hamilton wants to defend Washington in the hopes of gaining his own regiment but I feel like Hamilton also loves Washington as much as anyone could love a hero.

Washington seems the most aware of the future, even more so than Hamilton, because he tells Hamilton to always be aware of who tells his story.

To me, the real story of Hamilton is about legacy. I love that Lin Manuel-Miranda chose to make the cast diverse because it shows how anyone from any race or ethnicity can relate to these historical figures. We can understand these characters and their desires. By making no real villains, we can see the complexity of the politics and see our own political atmosphere in this story. I so wish political debates were as cool as the Cabinet Battles!

I can’t wait for the day that high schools create their own productions of this play because it’s educational as much as it is educational. They have to deal with the cussing, though, but seriously. There needs to be a high school version of this hip-hopera. Like now. Also, can someone take me to Broadway so I can watch this live?!

For now, give this album a listen. It’s a seriously good one.

Band Candy: Top 10 Buffy Episodes #7

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Band Candy is a fun episode to watch. The whole “adults acting as teens” has been done before, but this one is unique in just how it executes the idea. It’s basically like “Freaky Friday” without the body switching. This is also notable for being the first Buffy episode written by Jane Espenson, who would go on to write for Torchwood: Miracle Day and is currently a producer for Once Upon a Time. She also wrote Firefly’s “Shindig” and several episodes of Buffy that didn’t make this list, but I still love nevertheless including “Intervention” and “Storyteller.”

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The episode opens with Buffy studying for her SATs with Giles out in a cemetery. She fights a vampire and stakes it with a pencil. Giles gives her the answer to the question she was going over: “All things tend towards chaos.” Buffy laments that nobody else is working as late.

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The next shot shows the Mayor (Season 3’s Big Bad) working late with his right hand vampire Trick. Trick plans on hiring out a “distraction” so that the Mayor is free to pay tribute to a demon. You may notice that the Mayor has a bit of a Mitt Romney/Donald Trump feel in how disturbingly cheery he is, even when he opens a cabinet filled with preserved dead things and occult items.

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The next morning, Buffy laments with her friends about her SAT-related anxiety and the pressure her mother and Giles are putting on her. They walk to the cafeteria to find Principal Snyder handing out candy that everyone needs to sell to raise money for the band.

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After school, Buffy begs her mom to let her practice driving. Problem is that Joyce doesn’t want Buffy driving off somewhere and never coming back. Buffy jokes about how she ran away on a bus in the previous season, which is still a sore spot for Joyce and most of the fandom that hasn’t gotten over “Becoming Part 2.” Buffy goes off to spend time with Giles but gets out of her training by saying that she needs to be home. We know that she’s lying to both of them. Wanna guess why?

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Yep. Angel. Back from Hell and practicing tai chi without a shirt. I can completely understand Buffy wanting to spend as much time as possible with Angel, but can he at least put a shirt on? (And yes, call me a hypocrite because if you showed me a scene involving the other hot shirtless vampire, I would be drooling. I’m just not attracted to David Boreneaz. Never was.) Pointless fanservice aside, the Bangel subplot was one of the things I didn’t like about Season 3. While I can relate to wanting to be with the ex you never get over, Buffy is kind of proving her parents right about her lack of responsibility.

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When Buffy gets home, she gets in major trouble with her mother and Giles for lying to them and to Willow about her whereabouts. Buffy decides to lie to her parents about where she was and complains about how much time both of them demand from her. Buffy gets sent to her room after Giles tells her to not “freak out.” This is a nice scene for both Giles and Joyce because they both want to protect Buffy, but have no idea how. If you notice, this is when both Giles and Joyce start eating the candy. Keep that in mind. Over in some mysterious factory, Giles’s old frenemy Ethan Rayne is managing the band candy assembly line. He tells one of the workers not to eat the candy, which sends up a red flag.

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The next morning, Cordelia and Buffy wonder where Giles is while Xander and Willow play footsie under the table. The scene between them would be adorable but the problem is that they are in perfectly happy relationships with other people. Another lament I have with this show: They played around with Xander and Willow having more-than-friends moments, but never actually let them have a relationship or gave either of them closure on why they can’t be in a relationship. Principal Snyder whines about Giles not showing up and gets Ms. Barton to substitute.

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After school, Buffy goes over to Giles’s apartment and finds her mother there with him. The two of them tell Buffy that they were talking about making a schedule that would accommodate to Buffy’s needs.  Joyce gives Buffy the keys to the Giles (another red flag) and Buffy takes off faster than you can say “Bite me!” Then Giles lights up a cigarette while Joyce takes out a bottle of wine. Later on, they are seen smoking and listening to old records. Can you say “Uh oh.”

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Buffy drives with Willow to the Bronze and find the place is packed with older adults, even as Oz and his band are playing. Buffy and Willow wonder what the heck all the grown-ups are doing at the Bronze. They come across a very ditzy Ms. Barton and a very dorky, fun-loving Snyder. Buffy, Willow, and Oz watch the night turn into a squick-inducing spectacle and Buffy decides to figure out what’s going on. Snyder tags along with Buffy as they head out into town.

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Out on the town in the shopping district, Joyce admires a jacket in a store window and Giles breaks a window to get it for her. They get held at gunpoint by a cop who’s under the influence of the candy. Giles fights off the cop and takes the gun. Then the Giles/Joyce ship turns into a steamboat as they make out on the hood of the cop’s car (and do a lot more off-camera).

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When Buffy and company look around town, Buffy notices that no vampires are out attacking the vulnerable adults. When Snyder whines over someone stealing his candy, Buffy asks Snyder about where the candy came from. She sends Willow and Oz to the library while she goes off to the factory.

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At the factory, a small group of adults are raving over getting more candy while Buffy gets a major gross-out at the sight of her mother making out with her Watcher. Buffy has a spat with both of them and fights the guy handing out the candy, taking her mother and Giles inside. Snyder follows in, wanting a piece of the action. Inside the factory, Buffy finds Ethan on the phone. Ethan, at the sight of his old frenemy, runs off. Buffy and Giles give chase and eventually find Ethan hiding inside a crate.

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Giles wants Buffy to punch Ethan’s light house while Buffy interrogates Ethan about what he knows. Ethan admits that he was hired by Trick to create the candy as a diversion while Trick collected a tribute for the demon Lurconis. When Buffy asks Ethan what the tribute is, the camera cuts to a group of vampires collecting babies from a hospital.

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Buffy asks Willow to get some further info on Lurconis.  Ethan tries attacking Buffy but Giles holds him at gunpoint and Buffy knocks Ethan to the ground. Still on the phone, Willow tells Buffy that Lurconis has a ritual every 30 years and that he eats babies. Joyce gives Buffy handcuffs to use on Ethan and the four of them head out to the hospital. Giles remembers something about Lurconis, that he’s a glutton who lives in the sewers. He starts sniping off at Snyder but Buffy quickly takes control of the situation. She tells Snyder to go home and tells Giles to come with her to the sewers and stop making out with her mom.

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Down in the sewers, Giles and Joyce rescue the babies while Buffy takes care of Trick’s minions and burns Lurconis to a crisp. Trick escapes with a snark. At the Mayor’s office Trick tells the Mayor that Ethan left town and that he doesn’t have to worry about owing anything to Lurconis. The Mayor hints at his darker side, but we won’t get to see that until later this season.

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Things at Sunnydale High are back to normal, with Snyder asking Willow, Oz, Cordy, and Xander to clean up a “Kiss Rocks” graffiti on the lockers. Buffy laments to Giles about how “nothing made sense” and how she felt “so alone”…about taking the SATs. She meets her mom outside and sighs in relief that nothing happened between them. Of course, her mother and her father figure know otherwise.

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I gotta give kudos to Anthony Stewart Head and Kristine Sutherland for how awesomely they acted in this episode. It was awesome to finally see Ripper in action and it’s hilarious to see that Buffy and her mother aren’t all that different. The only thing I wish is that the writers would’ve taken advantage of the Giles/Joyce romance. It’s also good to see Buffy taking responsibility when the situation calls for it, but I still wish she wasn’t sneaking around because of Angel.

I recommend this episode to casual as well as die-hard fans of the show because it doesn’t really have any major plot points, but it doesn’t feel like a “filler” episode the way other episodes in the show feel.

The Martian: A Movie Review by Joey Garrity

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Last night I saw The Martian with two friends and my college Newman Club’s chaplain.  I am confident saying it is the best movie of this year so far, and that the many good things I had heard about this movie turned out to be true.

The movie opens with an intense sandstorm interrupting a Mars mission, during which the crew’s botanist Mark Watney is struck by debris and lost in the storm, believed by his fellow astronauts to be dead.  The remainder of the crew boards their ship and leaves for Earth, reporting the death of Watney to NASA and the world.  Meanwhile, Mark survived the Martian storm and must find a way to survive on the Red Planet and contact Earth with only the Ares scientific base with its equipment and leftover food, a few bags of potato seeds, a Mars rover, and various buried equipment from past Mars missions.
The best thing about this movie to me was that it reminded me of the survival stories I read or watched growing up, such as Hatchet and Castaway.  And it was very much so the next logical step in the survival genre, as deserted planets are the new deserted islands to a humanity that has expanded its exploration to the stars.  Matt Damon gave a phenomenal performance as Mark Watney, and his resolve to never give up in the face of extreme adversity is a great message for all of us.

One of my favorite moments, however, was when Mark’s former crewmates choose to turn around before reaching Earth and head back to Mars to rescue him against NASA’s wishes, whose director argued that one death would be better than six.  From the view of Catholic Social Teaching, the Ares crew were some of the real heroes of the movie, going out of their way and risking everything to rescue a single person from death.  Sometimes as Catholics we are called to sacrifice convenience for the greater glory of God and His people.

Overall, I highly recommend The Martian to everyone reading this.  It is a fantastic piece of cinematography and storytelling.  The only problematic scene I can think of is when Mark says he is going to burn a crucifix he found in the base to make water, but we never explicitly see him doing it and it is implied there were other “personal items” he may have used instead.  As a final note, I am aware that this movie was based on a book.  I have not read it, but I would encourage both myself and all of you to read it as well, since many things can be lost when translating a book to the screen.  All in all, a great movie that stands above the majority of this fall’s blockbusters.

10430369_975770169104125_6064655856476824348_n Joey Garrity is a 22-year-old Catholic from Ohio studying Computer Information Technology at Northern Kentucky University. He is one of the founding members of The Fellowship of the Geeks, a Life Matters Journal project where he and fellow writers blog about consistent life themes in media and fandoms. He is an avid fan of Doctor Who, Harry Potter, Lord of the Rings, Avatar: The Last Airbender, and many others. He enjoys writing, playing his bass guitar, listening to music, video gaming, and hanging with friends.

Swift, Synod, and Second Hand News

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You might notice that I haven’t really been commenting on the Synod of the Family. I have a perfectly legitimate reason for doing so.

The Synod on the Family is basically like a giant Town Hall meeting. Keeping track of it would be like me watching C-SPAN. Ain’t nobody got time for that. I’m praying novenas and offering up decades of my Rosary for Pope Francis and the bishops, but that is it.

I don’t wanna hear about who people say is liberal or conservative. I thought Catholicism was above politics like that. Or at least it should be. I know for a fact that there won’t be any major, catastrophic changes nor will the Church “get with the times” the way that the world wants it to. If it changes, it will change in small ways. Just like how Pope Benedict changed the way that we say the Nicene Creed. It’s a change, but not a catastrophic one. In all honesty, I just wanna know when Pope Francis is gonna canonize the parents of St. Therese of Lisieux. The rest of what I hear about the Synod just feels like gossip.

Speaking of which…

You already know that I’m a Swiftie and that I am a strong supporter of Taylor Swift and Calvin Harris’s relationship. Rumors have spread of a breakup between the two of them. I refuse to believe them. Is the media just having a slow day for Taylor? She’s on the covers of GQ and Vogue and that’s not enough? I may not like how she’s dressed for these magazine covers or the unfortunate implications of “Wildest Dreams,” but I still want the best for her. She hasn’t exactly posed for a Victoria Secret photoshoot yet nor has she acted in an outright racy matter. She’s doing really well compared to other musicians I’ve grown up with. So for crying out loud, LEAVE TAYLOR ALONE!

I’ll leave you with a song I like listening to when I have to deal with news I don’t wanna hear:

School Hard: Top 10 Buffy Episodes #8

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If someone were to ask me what episode I would show to someone who’s never seen Buffy before, I would show them two episodes: “Prophecy Girl” and “School Hard.” Prophecy Girl is the Season 1 finale and it introduces the world that Buffy takes place in and all the characters really well. However, the reason I choose “School Hard” for this blog post is because this episode establishes the theme of the season, establishes the main cast, and introduces two characters who will be a staple of the show for years to come.

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The episode starts out with Buffy in the Principal’s office with a delinquent named Sheila. Principal Snyder wants the two of them to work together to decorate and make refreshments for Parent-Teacher Night. Buffy meets up with Xander and Willow and Xander tells Buffy to not worry so much. “As long as nothing really bad comes along between now and then, you’ll be fine,” he says.

 

Buffy and Willow are quick to point out that now something bad is gonna happen in an almost self-aware sense. Xander thinks this time may be different. He’s totally wrong, of course, because in the next scene we see a black car running over the “Welcome to Sunnydale” sign and an intimidating, black leather duster wearing, punk-rock vampire steps out, lighting up a cigarette.

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Ladies and gentlemen, meet the vampire that stole my heart.

In the previous season, there was a minor villain called the Anointed One who is scene in his lair with his cronies. They all plot on killing the Slayer on something called “the Night of Saint Vigeous” and one of them says it’ll be the greatest thing since the crucifixion, bragging that he was there. Spike, of course, is not amused. Neither am I, for obvious reasons.

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When Spike walks in the room with the other baddies, the attention is all on him. Mostly because all the other vampires in the room are about as interesting as the back of a cereal box. Spike starts bragging (he likes to brag) about the Slayers he’s killed when a haunting music box type melody takes over the room. Spike turns around and we get to see his human visage for the first time as his lover, Drusilla, walks in the room.

 

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Like Spike, Drusilla is a vampire that you can’t help but be drawn to. She reminds me of those creepy ladies in horror movies that talk nonsense and walk like ballerinas. There’s a certain fragility to Drusilla and the love and affection the two of them have for each other feels genuine even when you take into account that vampires supposedly “can’t love.” When Drusilla asks Spike to kill the Slayer, Spike tells her “I’ll chop her into messes.” Shakespeare buffs might recognize this line from the play Othello in which the titular character says this line in reference to the woman he loves. However, Spike is saying this line in reference to Buffy.

 

In the next scene, Buffy has a short conversation with her mother regarding Parent-Teacher Night in which Joyce wants to believe in the best for Buffy but worries about her being irresponsible, since she’s totally unaware of Buffy’s life as an unofficial superhero. Our favorite Slayer laments about the responsibilities she has to deal with as she paints the banner for Parent-Teacher night.

 

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My internet friend Ian AKA Passion of the Nerd points out that there’s an interesting parallel between Spike and Buffy, when Dru cuts Spike’s cheek and Buffy shows up in the next scene with a line of paint on her cheek in that same area. Trust me when I say this will be the first of many parallels between Buffy and Spike. But to go any further would make this a mile-long Spuffy post. Moving on!

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Giles and another teacher, Jenny Calendar, come in to warn Buffy about the Night of St. Vigeous which is supposedly a night when vampires (after three days of fasting and rituals) are at their strongest. I’m honestly not gonna go into much detail beyond that because the show never actually showed the Night of St. Vigeous happening. It’s honestly just a MacGuffin that goes nowhere.

Later that night, Buffy tries studying at The Bronze to no avail because she’s pining for Angel. She goes off to the dance floor with Willow and Xander and a very telling song plays as Spike watches Buffy dance.

 

Spike does a stage whisper about calling the police about someone getting bitten outside, which prompts Buffy and company to make for the alley. Buffy beats up the vamp and stakes him easily (with a bit of Xander’s help) and Spike walks in, applauding her.

 

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“Who are you?”

 

"You'll find out Saturday."

“You’ll find out Saturday.”

 

"What happens Saturday?"

“What happens Saturday?”

 

"I'll kill you."

“I’ll kill you.”

Spike goes off to another nightclub to catch Shiela while the Scoobies convene in the Sunnydale High School Library to research on Spike. Angel comes in to warn everyone about Spike, but leaves before giving any actual useful information. Meanwhile, Spike returns to Drusilla with Sheila in tow and a bit of backstory gets revealed. Dru was attacked by a mob in Prague which left her in a weakened state, prompting Spike to take her to the Hellmouth and help her recover. Spike goes off to perform the rituals with the Anointed One and tells Drusilla to feed, shoving Sheila at her.

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The next day, the Scoobies prepare for battling the vamps while Buffy preps for Parent-Teacher Night. Cordelia, Buffy’s high school rival, shows up in the scene as sort of a “frenemy.” Joyce inevitably meets with Principal Snyder and it’s clear that Buffy will be on a one-way trip to Grounded-ville. Of course, just as things are about to go south for Buffy, Spike and his cronies break into the school. Why? He was bored and has major impatience issues.

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Now the reason the episode is called “School Hard” is that the ensuing moments are reminiscent of the movie Die Hard, in which a bunch of people get trapped in a building while the hero saves them from terrorists by sneaking on the enemy through air vents. Buffy takes initiative and hides the adults and teachers in a classroom. Giles and computer teacher Jenny Calendar hide off in the library, Xander goes off to get Angel’s help, and Willow and Cordelia hide in the janitor’s closet, which they still end up staying in by the end of the episode.

 

When Angel gets Xander’s help, Angel tries to use Xander as bait. Spike recognizes Angel as his “sire” and calls Angel “Angelus,” which was his old vampire name. In the Buffyverse, a sire is the vampire who creates another vampire, their Childe. It’s later established that Drusilla was the one who created Spike but that Angel was Spike’s mentor in all things evil.

 

Spike takes down a vamp and fights off a newly vamped Sheila while getting her mother and all the other adults out. Spike’s minions give chase to Angel and Xander, but Spike stays behind when he smells Buffy’s blood.

 

The scene in the hallway between these two is majorly important and I’m not just saying that because I’m a Spuffy shipper. The banter between Buffy and Spike is laced with innuendo, establishing that the theme for this season is about relationships, sex and the consequences thereof. Fellow Spuffy shippers, take this bit of dialogue as a word of warning. The Spuffy ship ain’t all puppies and rainbows, but by God it is beautiful:

 

"I'll make it quick. Won't hurt a bit."

“I’ll make it quick. It won’t hurt a bit.”

 

"No, Spike. It's gonna hurt a lot."

“No, Spike. It’s gonna hurt a lot.”

But enough swooning. Time for a fight scene! Spike and Buffy spar out in the hallway while Angel and Xander fight Spike’s minions outside. But just as Spike was about to get the upper hand on Buffy, Joyce hits him on the back of the head with an axe and says “You get the hell away from my daughter,” prompting Spike decides to make a run for it.

 

Snyder and the police talk about what the “cover story” of the attack on the school will be while Joyce and Buffy have a heartwarming moment in which Joyce realizes that Buffy is capable of taking responsibility when the moment calls for it.

 

The episode ends with Spike pretending to ask the Anointed One for mercy, but we all know that Spike isn’t one for apologizing when he doesn’t actually feel sorry. He throws the Anointed One into a cage and lifts the child vampire into the sunlight, establishing that he’s the new Big Bad in town. I seriously love his bravado!

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If you’re not familiar or a fan of Buffy the Vampire Slayer, I highly recommend you watch this episode. If there was one thing about this episode that I wish could’ve gone differently, it would’ve been that Joyce would’ve found out about the vampires and decided to accept Buffy’s life as the Slayer. But overall, I love what this episode had. For old school fans, it’s a major nostalgia trip because you get to see the characters in the earlier days and think of how things could’ve played out differently and for newcomers, it’s a good way of learning who everyone is and what exactly Buffy is about. So yeah, go watch it!

Hollow Vessels

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When is it ever gonna be enough?

Why can’t nice ever receive real good?

When can fear protect instead of leading to hate?

Why does love always end

before it ever begins?

How much of ourselves do we have to give

before we can begin to receive?

 

Too many times have we been burned

and yet strangers look at us-

These hollow vessels

and call it beautiful?

 

We are but shells

All we do is take in emptiness

and pour out love that was never ours

We give and give and give

until I can’t give anymore.

We are hollow shells of armor

knocked over by the slightest unexpected wind.

 

When can we let our walls go down?

When can we stop being afraid?

How can we ever be ready

when all we feel is pain?

 

Tabula Rasa: Top 10 Buffy Episodes #9

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“Tabula Rasa” has a similar plot to “Something Blue” because the events of the episode are triggered by a spell cast by Willow gone awry. But whereas “Something Blue” was mostly a hilarious episode, “Tabula Rasa” is both the funniest episode and one of the saddest episodes in the entire series. How the heck does that happen? Read on further to find out.

SPOILER ALERT. If you haven’t watched Buffy the Vampire Slayer or haven’t seen this show in a long time, stop reading right now. Major plot points are gonna be revealed here.

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The episode follows straight after “Once More With Feeling.” Spike finds Buffy on patrol to try and talk about how they kissed in the previous episode, but Buffy isn’t up for talking. Spike gets attacked by a literal loan shark named Teeth and his cronies, leaving Buffy to save his sorry pale butt. (It’s a show with monsters. Just go with it.)

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Meanwhile, at Xander’s apartment, Xander, Anya, Willow, and Tara are feeling majorly guilty about ripping Buffy out of Heaven. (While I personally believe that Buffy wasn’t actually in Heaven, the show never says otherwise, so for the sake of argument we’ll just go with what the show says.) They think about how to help Buffy adjust to not being dead anymore. Willow, of course, wants to use magic to fix things, considering a spell that would make Buffy forget about Heaven. This angers Tara, who doesn’t want Willow to abuse magic anymore. 

One major complaint from the fandom is that Season 6 portrayed magic as a drug, which isn’t actually how magic is. In reality, Willow’s addiction isn’t to magic in and of itself, but the power and control it gives her. Willow always wanted to find a way to fix problems without actually having to deal with them, which is a really bad way of thinking. So yeah, I’m siding with Tara in this episode.

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Tara even says outright: “You did it the way you’re doing everything, Will. When things get rough, you don’t even consider your options – you just do a spell. It’s not good for you – and it’s not what magic is for.” Willow pleads for Tara to stay with her, but Tara knows that as long as Willow has the control freak complex, things aren’t safe for her. Tara contemplates breaking up if Willow can’t go without magic for a week. And she’s not the only one who wants to leave.

Before I cut to the next scene, I’ll tell y’all right now. Just because I love an episode doesn’t mean that it’s perfectly written. Every episode of any show will have its flaws. So forgive me for not liking this upcoming scene.

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Giles and Buffy are at the Magic Box’s training room. Giles is telling Buffy how he’s planning on leaving for England. Now in the context of the behind-the-scenes stuff, Anthony Stewart Head wanted to leave the show to go back to his homeland. But the writers made a really bad decision in having Giles leave because Buffy can’t handle things without constantly turning to him for help. To some extent, yes, Buffy needs to learn how to make her own decisions. But Buffy already has abandonment issues bigger than the state of Texas and she has depression on top of that! The last thing she needs is her father figure, one of the few people she feels she can still trust, leaving her. As much as I hate saying this, killing Giles off would’ve been more believable than having him abandon Buffy for what feels like a seriously contrived reason.

But maybe it’s just because Giles leaving is the start of everything getting worse for Buffy and the Scoobies.

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The next morning, Willow casts the Tabula Rasa spell, but leaves the whole bag of Lethe’s Bramble in front of the fire. The fire consumes the whole bag, which foretells some major consequences ahead.

In the magic shop, the Scoobies are all gathered and Buffy urges Giles to just announce his eventual departure, only for Spike to interrupt things. He comes in looking like this:

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Spike is still on the run from the loan shark but the conversation soon returns back to Giles who tells everyone of his plans of returning to England. Buffy can’t take any more bad news, so she starts to leave. Willow’s crystal starts glowing black, which means the spell is about to take effect. And take effect it does. Everyone in the room suddenly passes out.

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Day turns to night in the next scene. The way that everyone is arranged is important. Giles is leaning on Anya’s shoulder. Tara is asleep in her chair. Willow and Xander are asleep next to each other, with Willow wearing Xander’s jacket. Dawn is curled up on the floor. Spike is asleep on the store counter. Buffy is slumped on the stairs and is the first to wake up. As she turns on the lights, everyone else starts waking up with complete amnesia. This is where all the laughs really start coming.

 

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First of all, Giles finds magic to be “balderdash and chicanery,” which is pretty hilarious if you remember that Giles’s young, rebellious youth consisted of using dark magic as a drug high. Buffy instinctively comforts Dawn while Giles realizes that he’s British. Spike snarks at Giles about being all “Mary Poppins” only to realize that he’s British as well. His little bit gets me laughing so hard, my stomach literally hurts because James Marsters is actually American and he does the British thing so well, it’s hard to believe that he isn’t. (The fact that he does the British thing in Torchwood doesn’t help much, either.) Giles and Spike wonder if they’re related and Spike thinks that Giles is his father. This is a shoutout to a scene from a previous episode in which Giles refers to Spike as “like a son to me.”

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Spike also thinks that Giles and Anya are together due to seeing them waking up together. Anya looks at her ring and remembers that she’s engaged. Problem is she’s engaged to the wrong man! The ensuing argument about Giles apparently marrying someone half his age leads to everyone checking for their driver’s licenses and IDs. Unfortunately, Buffy, Dawn, and Spike don’t have any. Buffy points out Dawn’s necklace, which has her name on it. “Or Umad,” Dawn joked. Spike checks his jacket and thinks that his name is Randy, leading to yet another gut-busting hilarious line.

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“‘Randy’ Giles?! Why didn’t you just name me ‘Horny Giles’ or ‘Desperate-for-a-shag Giles’? I knew there was a reason I hated you!”

Willow thinks that she and Tara are study buddies while Xander is her boyfriend. But since Buffy doesn’t have a license or a student ID, she decides to name herself “Joan.” Dawn’s snarking at Buffy’s lame name leads them to realize that the two of them are sisters. Buffy decides on everyone going to the hospital but when they open the door, they are greeted by vampires. Leading to this hilarious shot:

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The amnesia everyone has made everyone forget that they live in a world where vampires exist. Giles proposes using magic to fight back, even as the vampires bang on the door, demanding for Spike and the Slayer to come out. Xander finds a trapdoor that leads to the sewer. The vampires break into the shop through a window, since they can’t actually enter a door without being invited. In the ensuing fight, Buffy stakes a vampire and seriously loves the power she has.

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As the other vampires run back to their loan shark boss, Buffy formulates a plan. She and “Randy” will go out to fight the vampires while everyone else goes to the hospital through the sewers. Anya and Giles decide to stay in the shop and use magic to ward off anyone else who might come after them.

Buffy and Spike run out to fight the vampires. As the fight ensures, Spike instinctively goes into vamp-face and thinks that he’s a superhero, only for Buffy to go running, scared at the sight of his vamp face.

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Down in the sewers, Xander, Dawn, Willow, and Tara try to navigate around a place they’ve never been to and come across a vampire. Up in the Magic Box, Anya does a spell that summons a rabbit, which she is completely terrified of. Meanwhile, Spike catches up to Buffy to try and talk things out with her. Buffy tries to keep him away and then this happens:

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Spike realizes that he doesn’t want to kill Buffy, nor does Buffy want to kill Spike in spite of the two of them seemingly being natural enemies. Spike thinks that he’s a vampire with a soul, but Buffy thinks the idea is totally lame. (Take that, Angel!) Sparks kind of fly between the two of them. And they’re not the only ones.

Giles and Anya are still fighting as her attempts at magic keep going awry and Giles thinks that the plane ticket in his pocket was an indicator that he was getting out of the relationship. Giles eventually finds a way to reverse all the magic and the two of them kiss and make up.

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Down in the sewers, Tara and Willow are instinctively drawn to each other as the vampires in the sewer  Dawn and Xander try fighting the vampires only for Xander to step on the crystal that fell out of Willow’s pocket.

And it’s at this point that the laughs stop (except for Giles and Anya being grossed out about their kissage) and starts turning to tears.

When I was in middle school, I was seriously into an artist named Michelle Branch. So imagine my surprise to find her being the musical guest of the week, playing in the famous Buffy nightclub The Bronze. The song that she sings plays as Tara packs up to leave, Willow cries in the bathroom, Giles flies back to England, and Buffy turns down Spike only for her to make out with him as the episode ends.

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This episode is something TV Tropes calls “fanfic fuel.” Mostly because there were so many possibilities that this episode could’ve explored but chose not to, which behooves fans of the show to write fanfics that explore said possibilities. It would’ve been interesting to see the amnesia last longer than one episode. It would’ve been interesting to see Giles and Anya in a relationship. There were even hints of Dawn and Xander having some potential. Dawn had a crush on Xander before, after all. I wish I knew how Buffy went from not wanting to talk to Spike to actually kissing him. I wish that Tara stayed and Willow left the house. I wish that Giles would stay. I wish that Xander and Anya realized that they didn’t exchange any conversation while they lost their memories. Part of me wishes that the amnesia could’ve gone on a little longer, at least long enough for Buffy to realize that she was instinctively attracted to Spike in spite of the fact that he’s a soulless vampire.

But in spite of what I wish could happen, I love this episode. It’s not one I would show to casual fans or people who haven’t watched the show. For major fans of the show, it’s a favorite. It’s hard to find a show that can make you laugh and cry in the span of one episode and Buffy is definitely one of those shows.

Screencaps are copyright to Mutant Enemy and 20th Century Fox and are used for editorial purposes only.

10 Ways You Can Pray The Rosary

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October is the month of the Rosary. I was taught how to pray the Rosary in Catholic school, but it wasn’t until I was in college that I really learned the beauty of the prayer. I still don’t pray it every day, but I know I’m not the only one struggling with that. This list will help you if, like me, you want to pray the Rosary every day but aren’t exactly sure how.

1) Start with just a decade a day

If you have kids or are just learning how to pray the Rosary, start with just praying a decade a day. When I was teaching Catechism, I taught the kids to pray the Rosary by praying a decade at the end of class. Once you get comfortable meditating on one decade, you can move on to add more.

2) Use scripture as a companion

Mark Hart said that the Rosary is his favorite Bible Study. I asked him “Which mysteries?” He said “All 20 offer us something unique…that’s the best part – depending on the day or where we are on our faith journey, the Spirit will reveal something different to us.” Great Mathemetician’s Answer there, Mr. Hart. There are sites out there that provide scripture verses that you can meditate on with each Hail Mary such as this one.

3) Pray throughout the day.

You can pray one decade in the morning, pray the second one during your mid-morning coffee break, add another one in the mid-afternoon, pray the fourth one before dinner, and the last one as you get ready for bed. It’s a good way to pray constantly.

4) Pray as you walk/jog/run

Some people pray the rosary as they walk as part of a moving meditation. I realize that jogging and running may leave one out of breath for prayer, but if you’re jogging or running at a slow pace, you can have enough mental energy to meditate and pray. Offer up a Hail Mary when you feel like you’re about to feel exhausted.

5) Pray during the morning/rush hour commute/road trips

Most commutes are about 30-40 minutes depending on where you live. Instead of complaining about the traffic, pray the Rosary and offer up a Hail Mary for anyone who cuts you off. I won’t say it’ll cure you of your road rage, but it’s a lot nicer than making crude gestures or angry remarks. Lighthouse Catholic Media has a wonderful Rosary CD that you can pray along with.

6) Pray during Adoration

Back in college, I would spend the first half hour of Adoration praying the Rosary. And even when I can’t make a whole hour, I would stay long enough for me to pray at least a decade. The Rosary helps you focus your mind and keep you aware of where you are in the present. If you pray the Rosary long enough, you might make it last for the whole Holy Hour.

7) Pray before you sleep or as you sleep.

This was a tip given to me by my dear friend Fr. Keon. If you’re afraid of falling asleep before you finish praying, Elizabeth Scalia says that she asks her guardian angel to finish the Rosary for her if she ends up falling asleep.

8) Pray with family/friends

Praying in a group is always a good way to pray because you don’t have to do the whole Rosary by yourself. Group rosaries often happen in retreats, but you can pray the Rosary with your family after dinner or get some friends together and pray a Rosary in the chapel or in front of an abortion clinic. October is also pro-life month, after all

9) Pray during storms or times of anxiety

When Hurricane Issac was storming close to Texas, I prayed the Rosary as it passed through my town. Praying the Rosary during thunderstorms helped me to calm down. The same calming effect happens when I pray the Rosary during anxiety attacks. It’s a great grounding exercise because you can see the Rosary in your hands, feel the beads between your fingers, and hear the prayers you pray. Some Rosaries even have a nice scent to them.

10) Pray with intentions and gratitude.

One way I pray the Rosary is that I dedicate each decade with a special intention. Most people would start out the Rosary by offering the first Our Father for the intentions of the Holy Father, followed by offering up the first 3 Hail Mary’s for an increase in faith hope and love. What you choose to meditate on is up to you, but here are some suggestions.

For the Joyful mysteries, pray for family members, people you know who are travelling, friends or family who just had kids, students who are graduating or children being baptized, and for missing children.

For the Sorrowful mysteries, pray for people who are undergoing anxiety. Pray for people who struggle with addictions. Pray for those who are persecuted for their beliefs. Pray for those who suffer depression, and pray for the souls of the faithful departed.

For the Luminous mysteries, pray for conversions and reversions. Pray for people who are discerning marriage or about to be married. Pray for an increase in vocations to the priesthood and religious life. Pray for those who are already priests/nuns/monks and pray for a greater devotion to the Holy Eucharist.

For the Glorious mysteries, pray for people you love who’ve passed away. Pray for the souls of aborted children. Pray for children who died in miscarriages. Pray to have a closer relationship with Christ. Pray for a happy death.

It’s also a good idea to pray with gratitude. Give thanks for something with every Hail Mary, no matter what mysteries you’re meditating on. “How exactly do I do that?” you ask.

For the Joyful mysteries, pray with gratitude for all the small things in your everyday life. Pray for your family, your friends, the places you go to, and the things you do on a daily basis.

For the Sorrowful mysteries, pray in gratitude about what you learned from a bad situation. Pray for the times that God helped you in a time of great need. Pray in gratitude for the people in your lives who have passed on. Pray in gratitude that people are being a witness to their faith, even at the cost of their lives.

For the Luminous mysteries, pray in gratitude for the big events of your life, things that you’ve accomplished through God’s help. Even if it’s something as small as graduating high school or passing a test. Pray in gratitude for the moments that changed your life for the better.

For the Glorious mysteries, pray in praise of the holy men and women who are interceding for you. Pray in gratitude for the victories you’ve overcome with God’s help.

I hope this helps you in praying the Rosary.